Do you think you’re set with one pair of professional studio monitors? If so, think again. Most home-studio owners purchase one good pair of powered reference monitors and that’s it. However, to truly hear how your music will translate to the outside world, the real world beyond the four walls of your comfy studio, you should be working on at least two sets of speakers: your main near-field monitors and a set of small, inexpensive desktop computer speakers (minimonitors). This dual monitor approach will let you hear how most listeners will be hearing your tracks—over a cheap home stereo system, a television, or computer speakers—instead of the precise, accurate, and “flat” sound of your pricey studio reference monitors.
This is a tutorial for the complete beginner to Presonus Studio One 3. I cover all of the basics you need to know to get started making music with topics inc. By default, Studio One ’s process precision is set at Single (32-bit). If using Studio One Professional, you may choose double precision (64-bit) from the Process Precision drop-down menu. Supported Devices. Studio One supports most audio devices, including those that run on ASIO or WASAPI (Windows) or Core Audio (macOS) drivers.
Of course, chances are that your audio interface only has one set of monitor outputs (a pretty standard design). This begs the question, “Where do I connect another set of speakers?” The solution is to add an analog monitor control box to your system. The stereo mix coming out of your audio interface’s monitor output is then connected to this box and split (multiplied) into several monitor output paths, each of which can be sent to its own monitor destination (including headphones). Two of the most popular solutions on the market are the PreSonus Monitor Station and the Mackie Big Knob (both units are about $300). Each of these units is designed to sit on your desktop and provide ergonomic monitor control, making it easy to switch between monitors while you’re mixing without losing your “sweet spot” (the listening position between your monitors that sounds the best).
DJ Studio 5 - Free music mixer. DJ Studio 5 - Free music mixer is a music mixing tool that lets you convert your Android device (the app is specially optimized for Nexus) into an authentic miniature mixer. Mix Up Studio 3.1.5 MAS + In-App macOS 52 mb The Mix Up Studio is a portable studio for creating music in all popular styles wherever the inspiration might come to you. Come up with crazy music ideas and Mix Up Studio will do its best to transform your ideas into awesome music tracks!
The point of near-field monitoring is to remove as much room coloration from your listening position as possible. Though it’s no less important to tune your room for better acoustics (a topic for another blog), a proper near-field setup can reduce much of the room tone that you would normally hear if you were seated farther away from your monitors, outside the sweet spot. Today, most well-designed studio reference monitors feature frequency fine-tune controls for tailoring a speaker’s response to best fit your listening environment. For example, to compensate for a room that adversely emphasizes low frequencies, you could roll off your monitor’s low-frequency response by a couple of dB. Foam speaker-isolation wedges (such as the Auralex MoPAD), or the more advanced isolation stands by IsoAcoustic, are also an option and allow a monitor to be decoupled from what it sits on, preventing the speaker from transferring sound to the surface in a way that might adversely affect what you hear.
Now, for the speakers. Keep in mind that the size of the low-frequency drivers (the woofers) determines your monitors’ low-frequency output. The larger the woofer, the more bass you’ll hear in your mix. Consequently, you should stick with a 6-inch woofer or larger for your main monitors. In my opinion, the best enclosure-size-to-bass-output ratio for your dollar comes from monitors with 8-inch woofers (such as the Mackie HR824 or Focal Alpha 80). Of course, you can add a subwoofer to augment monitors with small woofers, but for most music-production applications, having the bass in your face is preferable to having it under your seat or to the side of your workspace. By comparison, your minimonitors should have a 3- to 4-inch woofer (such as the Alesis M1 Active 320 or Avantone Pro Active MixCubes). And, for the sake of quality and convenience, the minimonitors should be self-powered, just like your main monitors.
How your speakers are set up is also crucial for good monitoring. For the best near-field monitoring possible, make sure that your speakers are upright and level with your head. When seated in the sweet spot between your speakers, your head and the two speakers should comprise the three points of an equilateral triangle. You can place the minimonitors just to the inside of your main monitors. Make sure that the speakers are as far away as possible from any walls to avoid potential low-frequency interaction with your room’s physical structure. Pushing your speakers against the wall or shoving them in a corner is never a good idea. Stellarium 0 19 3. Remove any impediments that might interfere with a clear line of sound from the speakers to your ears (such as plastic figurines and stuffed animals—really, I’ve seen it done). And, watch out for possible reflective surfaces just beneath the monitors (such as a large mixer or laminated tabletop) that may cause high-frequency reflections to bounce off and sully your sweet spot.
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Between your main monitors, a pair of minimonitors, and a studio-quality pair of headphones (such as the Sony MDR-7509 or Ultrasone Proline 750), you can construct a clear picture of how your mix will sound in the real world without ever leaving your studio. Plus, with a good monitor controller you’ll never need to move from your sweet spot to switch monitors. Now, with all of this control at your fingertips, the only trick is to remember to get up and use the restroom every so often. Though, seriously, if that’s not inspiration enough, many an award winning mix engineer has been known to walk outside the studio, and down the hall, in order to hear how their mix sounds from a completely different perspective—for real, it really does work.
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Mix Up Studio FEATURES:
VARIETY OF INSTRUMENTS
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Pick an instrument and write its part in the sequencer, add other instrument if you like.
SOUND EFFECTS AND FILTERS
Apply different sound effects and filters to add creativity to your music
EASY TO USE
With comprehensive tutorial and simple interface you’ll master this app in no time.
RECORD AND SAVING
Record your tracks so you or your friends could enjoy them again at any time.
Feel what it’s like to have a music studio in your pocket!
What New
We are pleased to announce that in the new version of the app there are:
- Much less errors;
- Much more convenient and user-friendly interface;
- Improved stability.
Mac App Store: https://apps.apple.com/nl/app/mix-up-studio/id1039214669
- CAN NOT DOWNLOAD: Some probably encounter the following error: This site can’t be reached ..sundryfiles.com’s server IP address could not be found. DNS_PROBE_FINISHED_NXDOMAIN. In this case, please use Google DNS and you will get rid of trouble.
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- By reason, the App does not work and can not be opened. Mostly, just Disable the Gatekeeper, and you get rid of troubles.